Archive for Horror

Jacob’s Ladder

Posted in Cult Horror, Cult Scenes with tags , , , , , , on June 6, 2009 by themoviecult

Let’s get Macabre for a moment.

Jacob’s Ladder (1990) is a unique piece of filmmaking. The duration of the film is a nightmare for the main character, Jacob Singer, in which his reality frequently turns upside down, and he can’t be sure of anything. The film deals with death, and the supernatural, but in a very clever way.

Tim Robbins is great as Jacob Singer – in fact, the whole cast of actors, including a very young Macaulay Culkin, give excellent performances. The direction, by Adrian Lyne is what sets this movie apart. Also, some effort has been put in to packing each scene with as many visual elements as possible – enhancing them greatly.

The title, Jacob’s Ladder, is a reference taken from the bible, about a dream meeting in a place between heaven and hell. The movie heavily takes ideas and themes from the bible, such as angels and demons.

Jacob’s Ladder is a very important movie. It inspired the Silent Hill games series, which was adapted into the eerie Silent Hill (2006) movie. The movie was dubbed the first of the “horrorcore” genre – extremely gory and macabre movies dealing with horrible monstrosities, and death/purgatory. The evolution of style and approach to subject matter through the decade of Silent Hill videogames and to the foundations of “horrorcore” movies all evolved from Jacob’s Ladder.

The Silent Hill videogame

The Silent Hill videogame

This is the evolution of the the horrorcore genre:
The Bible -> Jacob’s Ladder -> Silent Hill Videogames -> Silent Hill -> The Future

The Silent Hill Movie

The Silent Hill Movie

Now, let’s see what all of the fuss is about. This scene, taken from the middle of Jacob’s Ladder, works well without any context, so there’s no need to set you up. Enjoy.


The Joke #1: Zombie Honeymoon

Posted in The Joke with tags , , , , , , , , , , on November 19, 2008 by themoviecult


The subject of the first edition in The Joke segment is David Gebroe’s 2004 straight-to-dvd release, Zombie Honeymoon. The romantic horror is more than just a (terrible) movie, because it provides a  framework through which the viewer can measure their real life relationships.

The film asks that important, eternal question: Can love shine through zombification? Take a moment to ponder this, while you watch the trailer. Think about your girlfriend, or your boyfriend; husband or wife. If you need to, think about one of your parents. Would you stay with them if they became a zombie? Would you cover for them if you stumbled into a feeding session in the bathroom? If they were picking your mutual friends off, one by one, would your love endure?

These are the questions that the protagonist, Denise (no surname specified) must ask when she witnesses the man that she married a few days prior, Danny (no surname specified), die for minutes, and then arise as a Zombie.

Zombie Honeymoon is by no means consistent with conventional zombie lore. A few differences between Zombie Honeymoon and other zombie movies are notable. For one, in Zombie Honeymoon, a zombie may make a human a zombie by vomiting into their mouth. Also, the process of turning into a zombie may take up to a week, and for most of that time, a zombie is in full use of it’s mental functions.

There’s more! Bad acting, bad writing and horrible dialogue have aligned like the planets to present a rare hub of stupidity. Be sure to check Zombie Honeymoon out.

Cult Horror – an Introduction

Posted in Cult Horror with tags , , , , , , on August 6, 2008 by themoviecult

It is hard not to love horror movies.

They touch on the macabre; speculate on the unknown; present horrible monsters. They inspire nightmares; bring chills. They’re the reason to sleep with the lights on. They’re subtle and grate away gradually or they’re over the top – bucket’s of blood and all.

Fads and genres in movies come and go, but horror has been steadily popular for a long time now. We identify with the situations horror movies present because we fear death. We fear corruption – both physically and spiritually. We fear for the safety of our family and friends. We fear the unknown origin of creepy sounds. We fear having to face danger alone.

Great things can be done with horror in the right circumstances. If a horror movie identifies what we’re most scared of, establishes that anything can happen at any second, and then paces itself correctly, it is bound for greatness.

This segment is for exploring great horror, and touching on the bad. In a series of articles and reviews over the coming weeks and months (interspersed with regular programming), classic and modern horror will be analysed, and ideas will be investigated.

To get the ball rolling – what is your favourite horror movie? What has managed to scare you senseless?